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Thursday, January 12, 2006
Kosovo Liberation Army emerges from the shadows
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By South East European reporter, Ana Karakusevic.


There is still little reliable information about the size and the structure of the Kosovo Liberation Army. The clandestine group first emerged in 1996, when it claimed responsibility for a series of bomb attacks in Kosovo.
In the past year, the KLA is believed to have killed dozens of Kosovo Serbs and Albanians whom it accuses of collaborating with the Serbian authorities.
Members of the KLA were rarely seen in public until late last year, when three heavily-armed and masked men appeared at a funeral of a Kosovo Albanian shot by Serbian police.
The KLA says it has captured a large amount of military equipment, including a helicopter, during clashes with Serbian police and army units.
Until recently, the main support - both political and financial - for the KLA came from Kosovo Albanian emigres in Western Europe and the US.
However, as the long-standing tensions in Kosovo increasingly erupted into open clashes, the support for the KLA among Kosovo Albanians started to grow. Many of them have become impatient with the failure of the peaceful resistance advocated by their political leadership.
Problems for the political leadership
If the emergence - and apparent military success - of the KLA presented Kosovo Albanians with a stark choice, it could also be said to force the hand of their political leadership.
Support for violent tactics could growThe leader of the Kosovo Albanians, Ibrahim Rugova, has condemned the actions of the KLA, but stopped short of denouncing them as a terrorist organisation, as urged by the US.
The main question, though, is whether the actions of the KLA will bring about a change in the position of the ethnic Albanian political leadership in Kosovo.
Until now, Mr Rugova and his followers have advocated dialogue with the Serbian authorities, under international supervision. This seems to be the preferred option of the main international players as well, but has so far been rejected by Belgrade.
If the Serbian authorities continue to regard Kosovo as an internal - rather than an international - problem, the Kosovo Albanian leadership may have little choice but to abandon its peaceful option.
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    Albanian Music
    Albania is a Southeast European nation that was ruled by Enver Hoxha's communist government for much of the later part of the 20th century; it is now a democratic country. Even before Hoxha's reign began, Albania was long controlled by the Ottoman Empire and other conquering powers, leading to a diversity of influences that is common in the much-fragmented Balkan region and resulting in a diverse and unique musical sound. Albanians (and the ethnic-Albanian Kosovars of nearby Serbia) are commonly divided into three groupings: the northern Ghegs and southern Labs and Tosks. Turkish influence is strongest around the capital city, Tirana, while Shkodër has been long considered the center for musical development in Albania. Music has always been a potent means of national expression for Albanians. Under Hoxha's regime, this was channeled into songs of patriotic devotion to the party; since the arrival of democracy in 1991, lyrics have come to focus on long-suppressed traditions like kurbet (seeking work outside of Albania) and support for various political parties, candidates and ideas[1]. Pop musicians have developed too, long banned under the socialists, with Ardit Gjebrea being foremost among them. Albanian popular music (këngë popullore) is generally based on Italian models Folk music was encouraged to some degree under the socialist government, which promoted a quinquennial music festival at Gjirokastër provided that the musicians expressed frequent support for the party leaders. After the fall of socialism, Albanian Radio-Television launched a 1995 festival in Berat that has helped to continue musical traditions MUSIC GENRE
    A music genre is a category (or genre) of pieces of music that share a certain style or "basic musical language". Music can also be categorised by non-musical criteria such as geographical origin.

    POPULAR MUSIC GENRE
    Blues - The Blues is a vocal and instrumental music form which emerged in the African-American community of the United States. Blues evolved from West African spirituals, work songs, field hollers, shouts and chants and has its earliest stylistic roots in West Africa. This musical form has been a major influence on later American and Western popular music, finding expression in ragtime, jazz, big bands, rhythm and blues, rock and roll and country music, as well as conventional pop songs and even modern classical music. Due to its powerful influence that spawned other major musical genres originating from America, blues can be regarded as the root of pop as well as American music.
    NOTES Blues - The Blues is a vocal and instrumental music form which emerged in the African-American community of the United States. Blues evolved from West African spirituals, work songs, field hollers, shouts and chants and has its earliest stylistic roots in West Africa. This musical form has been a major influence on later American and Western popular music, finding expression in ragtime, jazz, big bands, rhythm and blues, rock and roll and country music, as well as conventional pop songs and even modern classical music. Due to its powerful influence that spawned other major musical genres originating from America, blues can be regarded as the root of pop as well as American music.
    Hip Hop/Rap - Hip hop music (also referred to as rap or rap music) is a style of popular music. It is made up of two main components: rapping (MCing) and DJing (audio mixing and scratching). Along with breakdancing and graffiti (tagging) these are the four elements of hip hop, a cultural movement that was initiated by inner-city youth (mostly minorities such as African Americans and Latinos) in New York City in the early 1970s. Typically, hip hop music consists of one or more rappers who tell semi-autobiographic tales, often relating to a fictionalized counterpart, in an intensely rhythmic lyrical form making abundant use of techniques like assonance, alliteration, and rhyme. The rapper is accompanied by an instrumental track, usually referred to as a "beat", performed by a DJ, created by a producer, or one or more instrumentalists. This beat is often created using a sample of the percussion break of another song, usually a funk, rock, or soul recording. In addition to the beat other sounds are often sampled, synthesized, or performed. Sometimes a track can be instrumental, as a showcase of the skills of the DJ or producer.
    Rhythm and Blues - Rhythm and blues is a name for black popular music tradition. When speaking strictly of "rhythm 'n' blues", the term may refer to black pop-music from 1940s to 1960s that was not jazz nor blues but something more lightweight. The term "R&B" often refers to any contemporary black pop music. Early-1950s R&B music became popular with both black and white audiences, and popular records were often covered by white artists, leading to the development of rock and roll.A notable subgenre of rhythm 'n' blues was doo-wop, which put emphasis on polyphonic singing. In the early 1960s rhythm 'n' blues took influences from gospel and rock and roll and thus soul music was born. In the late 1960s, funk music started to evolve out of soul; by the 1970s funk had become its own subgenre that stressed complex, "funky" rhythm patterns and monotonistic compositions based on a riff or two. In the early to mid 1970s, hip hop music (also known as "rap") grew out of funk and reggae. Funk and soul music evolved into contemporary R&B (no longer an acronym) in the 1980s, which cross-pollinated with hip-hop for the rest of the 20th century and into the 21st century.
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